![]() MILAN - Faced with the spread of coronavirus and out of concerns for guests' health, fashion designer Giorgio Armani made a last-minute decision to stream his runway show from an empty theatre during Milan Fashion Week on Sunday.Īrmani announced the runway show would be conducted in an empty showroom and streamed for the fashion public on the internet as a "preventative measure decided by Mr. But just as you think you’re being invited to wind down for the night, Beyoncé returns to the stage in her life-size queen bee costume to remind you “America Has a Problem” and she is indeed it.Armani holds Milan Fashion Week runway show from empty theater amid coronavirus outbreak. There was nowhere to look but at the singer as she entranced you with her sensual moves and silky vocals. Classics like “Crazy in Love” and “Love on Top” found their place in this liberating dance-filled segment of the night before she entered her ‘70s glam era with live versions of “Plastic off the Sofa” and “Virgo’s Groove” sung from the inside of a giant clam. And as Beyoncé held a Black power fist from the top of her tank for nearly 30 seconds at the end of the song from the soundtrack album The Lion King: The Gift, an understanding of the power of the moment lingered over the crowd as they saluted the symbolism with widespread applause.Īppropriately, Beyoncé used an outfit change and “Church Girl” to transition from one form of revolution to the next. The wardrobe spoke to the celebration of Blackness and femininity expressed in the chosen songs which has been characterized as radical by the masses over the years. The custom Atelier Ivy Park look conceived by the singer was complemented by archival Ivy Park looks from the Park Trails Collection which were worn by her dancers. While the large screens positioned over the main stage like an archway served as the primary source of visuals during the concert, one of the more tactile images impressed on concertgoers was the vision of Beyoncé gliding across the stage seated on a silver mechanized tank as she sang “Black Parade.” The song followed a performance of “Formation” and “Run the World (Girls)” during which Beyoncé wore an Ivy Park sequin camouflage bodysuit paired with a cropped sequin camouflage jacket and matching thigh-high boots. Beyoncé also paid homage to “Queen Mother Madonna” over the “The Queens Remix” of the single which samples the pop icon’s 1990 anthem “Vogue.” Dressed in hot pink sequin fashions, the veteran performer and her dancers used every inch of the stage to excite the crowd, including the runway stretching into the audience where attendees lucky enough to snag highly coveted floor seats witnessed the numerous dance breaks timed to the track up close and personal. ![]() The singer took some 50,000 fans inside the Rogers Centre on an emotional two-and-a-half-hour journey through her musical catalog, beginning with a series of beloved ballads, including “Dangerously in Love,” “1+1” and “I Care.” Beyoncé also sang a tribute to her idol, the late Tina Turner, with a rendition of “River Deep – Mountain High” before the arena went black and the true welcome to the Renaissance commenced with “Cozy.” No longer needing to be subtle with her lyrical jabs, the 41-year-old global icon ended the self-affirming song wrapped up in an oversized silver blanket with pillows, making it clear she doesn’t lose sleep over what anyone has to say about her.Įqually impactful moments followed throughout the night, with “Break My Soul,” the lead single from Beyoncé’s seventh studio album released nearly a year ago on July 29, 2022, being among the most spirited. Two months into the long-awaited concert which began in Stockholm, Sweden, on May 10, Beyoncé demonstrated why even a plethora of spoilers being tweeted, posted, and tagged across the Internet can’t rain on her “Black Parade,” as she relayed her vision of Renaissance in a manner meant to be experienced in person. This weekend, Beyoncé opened the North American leg of her Renaissance World Tour in Canada with two shows in Toronto on July 8 and 9.
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